" Not all vulnerabilities are equally critical - but at the time of the test, all devices showed significant security vulnerabilities that could make a hacker's life much easier."Ī big part of the problem, according to the researchers, was a lack of up-to-date components. "The test negatively exceeded all expectations for secure small business and home routers," said IoT Inspector CTO Florian Lukavsky. The following design examples show the unlimited possibilities that arise when Soho’s various weights and widths are combined.A team of researchers from security firm IoT Inspector and German tech magazine CHIP found widespread security vulnerabilities and shortcomings in home office and small office (SOHO) routers from the likes of Netgear, Asus, Synology, D-Link, AVM, TP-Link and Edimax. I hope that designers find Soho an appealing and useful tool.” Only time will tell, but I hope I have struck the right balance.
SOHO NOTES NEWS SOFTWARE
Even with fast computers and clever software this wasn’t going to happen over night. I wanted to design something that people find useful in the broadest of contexts and continue to find useful as technologies and tastes shift and evolve. It’s been a long, challenging and at times incredibly arduous task completing this family. I took advantage of OpenType technology to offer extensive language coverage, stylistic alternatives, ligatures and small caps. In concise terms I have tried to achieve this with a contemporary serif structure, low contrast squarish shapes, a generous x-height and clipped serifs and terminals. It had to be distinctively different to the traditional 19th Century models of slab serif design. I wanted something conservative enough to have that versatility and endurance, but novel enough to capture people’s imagination. I wanted it to be supremely versatile a weight, width and ‘tone of voice’ to meet the requirements of even the most discerning of designers. I wanted it to look fundamentally 21st century. In designing Soho I set myself the rather lofty aspiration of designing the ‘ultimate’ slab serif. Perhaps 60,000 fonts in circulation and only a small handful of multi-weight, multi-width slab serif designs exist at the moment, despite their popularity. It amazes me that they’re relatively unexplored as a genre at this point in time. They can look super-chic in lighter weights and super-strong in heavier sizes. They can provide an interesting and viable alternative to the many large sans families available today. They can hold up well used on screen as well as print. How many companies don’t want to look robust, solid and reliable? They have the potential to look truly cutting-edge or solidly conservative. There is something fundamentally robust, solid and reliable about this genre, which makes slab serif designs very useful for everything from publishing to corporate branding.
For the uninititated, a slab serif is a subset of the modern serif, characterised primarily by thick and blocky serifs.
“Soho™ represents nearly 3 years of work. Some Notes on Soho from the Designer Sebastian Lester:
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